Main text in black ink, rubrics in red, capitals touched in red.

(f. 2r): The text is opened by two plain initials over 10 and 4 lines, one in blue, the other in red with flourishing in the contrasting colour.

(ff. 2v–56r): paragraphs opened by plain initials over 2-3 lines alternating in blue and red with flourishing in red or purple ink.

(f. 2r): dedication miniature over 13 lines painted in watercolours and ink. It features the author standing to the left in a yellow tunic holding a book bound in red leather; to the right, a bishop in full vestment. They are standing on a yellow checkered floor and the background consists of a blue and gold checkered pattern. The two persons are surrounded by two empty speech-scrolls. In the top of the miniature a coat of arms with four fields: two lions and two keys. This is a combination of the city coat of arms of Worms and the bishop's coat of arms (Bauer (1981), p. 159).

(f. 26r): adoration miniature over 7 lines. To the left, a seated Virgin Mary dressed in blue and red with a crown and halo in gold holding the Christ child; to the right, the author kneeling in a red tunic. The background consists of a checkered pattern in red, blue, and yellow.

(f. 54r): adoration miniature over 9 lines. To the left, the Virgin Mary, standing but otherwise the same as in the previous miniature; to the right, a bishop in full vestment kneeling. Same background as the previous miniature; the foreground consists of grass painted in a yellowish green. For a more detailed description seeBauer (1981), pp. 158–160.

Medieval binding. Red leather over wooden boards. 5 double raised bands and 2 single raised bands. Corner and centre bosses of brass on both covers. 2 additional brass bosses or studs close to the edge on RCO, possibly originally part of a clasp. LCO, middle of the cover two bent metal nails. Spine, stamped in gold: ‘A 212’.