National Library of Sweden, A 75
Regula Salvatoris and a collection of Revelations
Italy, Florence, 15th century, second quarter.
parchment
i, 41, i' leaves
215 × 150 mm
Latin
The chapters are rubricated as 24 ‘Revelationes’ and 1 ‘Enarratio’. The texts are drawn from Regula Salvatoris, Constituciones, and Revelaciones Extravagantes. For identification of the texts see Hollman (1956), p. 71.
Secundo folio
ualde paucos palmitesSupport
Foliation
Collation
Condition
Textblock
Textblock probably trimmed at a later date, as can be seen by the slightly mutilated marginal additions, e.g. f. 9r.Script
Textblock
Hand 1
Southern textualis.Additions
Binding/Endleaves
Decorations
Textblock
Main text in dark brown ink, rubrics in red, line fillers in red. For a discussion of the illumination see Aili (2003), p. 107.
(f. 2r): Opening foliate initial I over 17 lines. Letter outlined in ink and painted yellow and shades of blue with white highlights, details in green, red, and pink; framed in a gold. The letter has a column-like shape with vegetative ornaments. The entire page is surrounded by a frame consisting of complex leaf and flower shapes, three putti and several different birds. The colours match the initial. (f. 4r): foliate initial P over 8 lines (+ extending into the margins). Outlined in ink and painted. Main colours: pink, red, green, blue and yellow. Framed in gold. Letter shape a combination of architectural elements and vegetative shapes. (ff. 2v–19v), (f. 21r): plain initials in godl or blue over 3 lines. Surrounded by a complex flourished geometrical and vegetative pattern in red or blue ink which extends along the margin. (f. 20r): foliate initial P over 7 lines (+ extending into the margins). Similar in style and colours to the opening initial. (ff. 22r–38r): foliate initials over 3 lines similar in style and colours to the opening initial.
(f. 1v): Birgitta receives the rule of her order from heaven. In a note to former librarian Harry Järv, François Avril ascribes the illumination to Battista di Biagio Sanguigni, active in Florence 1430–1440.
gold edging
Binding
Late medieval or early-modern binding. Brown leather over wooden boards. 4 raised bands and endbands. Scallop-shaped brass bosses in corners.
Blind tooled, concentric sets of panels/frames, three of which contain complex knotwork decoration. The loops in the knotwork are inlaid or studded with gold or some other metal.
Origin
Acquisition
- Gyllene böcker (1952), p. 54, no. 91.
- Lindqvist Sandgren (2006), pp. 118–121.
- Nordenfalk (1961), p. 383.
- Montag (1968), p. 127.
- Hollman (1956), p. 71.
- Illuminated Manuscripts, p. 6.