Schürer von Waldheim. Kat. no 105
.
Five staffs of Hufnagel notation for the Alleluia-verse O consolatrix pauperum Maria
.
Late medieval binding. Brown leather over wooden boards. 3 double raised bands, 2 single bands. 2 catchplates for hooked clasps on O consolatrix pauperum
and Hufnagelnotation.
3-line blind tooling. On
In the 19th century the manuscript belonged to
Purchased by the 105
and described as Miscellanea på Latin och Neder Tyska
.
Si vis seruare pacem simul hec tria serua / Non des consilium de quo te nemo requirit / Non inuestiges que nec te nec tua tangunt / Non rege que tibi non fuerunt commissa regenda / Ex historia troiana. The second one is an elegiac distich:
Hoc scio pro recto si contra stercora certo / Vinco uel vincor semper ego maculor, listed in
The title (corrected) and the two first lines of the poem are written on annanisapta
(sometimes spelled ananizapta
), giving one word for each of its letters. The second addition is on rhetoric. Alan's text begins anew on the following page, Incipiunt prouerbia alani ad instructionem morum
.
On
Machmet prophanus decepit arte paganos / Talmod iudeos wicklef anglicos hussoque bohemos;
Roma potens reuerenda rauenna,
Notandum vina probantur odore colore et sapore unde / Si bona vina cupis hec tria probatur in illis / Forcia formosa fragrancia frigida nec non / Item bonum vinum meliores gignit humores / Gignit humores melius vinum meliores Sunt nutritiua plus dulcia candida vina / Et debet esse clarum / Si fuerit nigrum corpus confert tibi pigrum / Item vina simul cum lacte non debent sumi / Si sumis vina simul et lac sit tibi lepra / Vinum et mulieres apostotare faciunt sapientes;
Verus amor numquam quiescit semper agit et numquam tepescit;
Officium misse valet obsequium super omne,
Collecta dicta misse sit pars ibi prima / Cristi prima dies pars designat pueriles / Pars euangelio dinoscitur altera lecto.
Soliloquium. The last four lines, marked off from the first part by a row of red xs, are from Ch. 2, 6. Below the text on
Listed in
Below the text on Femina quem superat numquam viuit sine pena / Libertate caret turpi constrictus habena / Et nisi mors feriat vix rumpitur ista cathena / O felices isti quos non capit ista sagena
(cf. Femina fex sathane fetans rosa dulce venenum / Quod petis fugit quod fugis illa sequetur
(cf.
(cf. Fides notariorum / Iuramentum procuratorum / Opinio doctorum / Consciencia theologorum / permerdant totum forum
.
Below the verses an addition by a different hand of three lines in prose.
On Sunt carnis famule tres lubrica lingua soluti / Renes ingluuies ambiciosa gule / Hec tria displiceant lasciua senecta coacta / Latria pauperies deliciosa petens / Afflictu triplici nos ledunt tres inimici / Serpens vulnificus caro lubrica mundus iniquus / Est ancilla dei simplex elemosina mortis / Antidotum venie porta salutis iter / Est dare leticie vox verbum nobile verbum / mellifluum dantis gloria dantis honor / Est rogo vox miseri vox importuna pudoris / prodiga meroris plena fauoris egens
(cf.
Below the verse a coloured drawing of two people kissing with text in red from Cant. 1:1: Osculetur me
. The drawing points to the text beginning on o
Memoria fecundafrom the early 15th century, the earliest extant version of which is edited by
Vidi ciuitatem sanctam iherusalem nouam(Rev. 21:2).
Item gestum id est factum.
In the bottom margin on hic est defectus ad 4
.or monilia subsequncia quia exemplar non habuit plus
MARIAand beginning
Maria sic interpretatur. Four lines of verse in German in red ink follow:
Ihesus maria vnd alle hymmelsche schaer / Vns moite geuen de ewigen salicheyt / Dat wy mogen alle komen daer / Dorgh ore vordenst vnd milden barmherticheyt Amen.
The clauses are followed by a short prayer: Sancte et indiuidue trinitati simplicissime vnitati
.
The manuscript is written in gothic cursive by several different hands. The identification of hands is tentative and lists only the hands responsible for larger sections of the manuscript.
dis often written without a loop on the ascender.
dis often written without a loop on the ascender.
dis almost always written without a loop on the ascender.
dis almost always written without a loop on the ascender.
dis almost always written without a loop on the ascender.
Fasciculus Antiquus
by an early modern hand, followed by a crossed-out word and an illegible word.
Osculetur me
.o
Text in black and brown ink. Capitals touched in red. Some rubrics and underlining in red.
Edges coloured in blue-green but the colour has mostly worn off.